THE LAST STEP OF AN ACROBAT
A film by CESARE BEDOGNE'
"We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown".
(T.S.Eliot, The Love Song of J. Alfred Prufrock)
This film appeared to us, as it unfolded almost by itself, day after day while shooting, as a mythical fairy-tale about dead sea creatures and the desire to fly - Death and Flight, that cannot exist without one another.
Like a dream, it is based on a series of interconnected visions, longings and forebodings that could not possibly be reduced to a unity of meaning. As life itself, or as the sea which is always changing and yet remains the same, unable to betray its mystery.
More like a visual poem than a narrative film, it is the story of an Equilibrist suspended on the slack rope of existence, the thin and always changeable borderland joining all opposites, Sky and Earth, Life and Death, Light and Shadow, Elsewhere and Nowhere.
This film is also about transformation and loss of identity, about the desire to become someone else, or even something else – the screech of a seagull, bleaching bones, a broken dolphin’s mouth, dissolving into deep eternity – a meditation on melancholy and on the frailty of existence, permeated by the secret whispering of all things shipwrecked and lost.
In my beginning is my end, in my end is my beginning.
Country: Italy, Greece
Runtime: 29 mins
Genre: Documentary / Experimental /Avant-Garde/ Visual Poetry
TRAILER
AWARDS
BEST FILM, AMII WorkFest 2019 (Vilnius, Lithuania)
BEST EXPERIMENTAL SHORT, Festival de Largos y Cortos, Santiago del Chile
SPECIAL MENTION OF THE JURY, NEW RENAISSANCE FILM FESTIVAL AMSTERDAM
BEST EXPERIMENTAL FILM, 14th season CULT CRITIC MOVIE AWARDS (Calcutta, India)
BEST EDITING, BEST CINEMATOGRAPHER, Roma Prisma Film Awards, 2018
HONORABLE MENTION FOR EXPERIMENTAL CINEMA, 3rd International Short Film Festival Il Varco (Pescara, Italy)
BEST EXPERIMENTAL SHORT, Indies Movies Spark Film Festival ( Utrecht, 2021)
BEST EXPERIMENTAL/ART FILM, BEST LEADING ACTRESS IN AN EXPERIMENTAL FILM (awarded to Maria Frepoli), BEST DIRECTOR OF AN EXPERIMENTAL FILM, BEST EDITING IN AN EXPERIMENTAL FILM, BEST CINEMATOGRAPHY IN AN EXPERIMENTAL FILM, Pure Magic Film Festival Amsterdam, 2021
BEST SHORT EXPERIMENTAL, Metropolis Film Festival, Milano 2022
BEST ART DIRECTION, BEST DIRECTOR OF PHOTOGRAPHY, New Age Cinema & Scripts, Bombay (India)
HONORABLE MENTION, The Last Howl Film Festival, London (UK)
BEST EXPERIMENTAL FILM, Tagore. International Film Festival 2022 (Bolpur, India)
BEST EXPERIMENTAL FILM, Berlin Indie Film Festival (11/2022)
HONORABLE MENTION OF THE JURY, Emerald Peacock Film Festival, Sint Petersburg (Russia) 2022
MOVIE CRITIC AWARD, Sipontum Arthouse Film Festival 2022 (Manfredonia, Italy)
BEST EXPERIMENTAL FILM, Berlin Film Awards 2022
BEST EXPERIMENTAL FILM, Luis Bunuel Memorial Awards, Calcutta, India 2022
BEST EXPERIMENTAL FILM, ARROW FILM FESTIVAL, Aniche, Haut de France 2023
OFFICIAL SELECTIONS:
"L'EUROPE AUTOUR DE L'EUROPE" FILM FESTIVAL, Paris 2019
5TH CIUDAD DE MEXICO INTERNATIONAL FILM FESTIVAL 2019
SCANDINAVIAN INTERNATIONAL FILM FESTIVAL, Helsinki 2019
VI CINEMISTICA FILM FESTIVAL, Granada 2019
ILLAMBRA EXPERIMENTAL FILM FESTIVAL, Berlin 2019
LES RIMBAUD DU CINEMA FILM FESTIVAL, Charleville 2019
EUROPEAN CINEMATOGRAPHY AWARDS, Amsterdam 2019
VASTLAB EXPERIMENTAL FILM FESTIVAL, Los Angeles 2019
PUNE SHORT FILM FESTIVAL, India 2019
ESTO ES PARA ESTO FILM FESTIVAL, Mexico 2019
MOSCOW SHORTS IFF, 2019
NEW WAVE MOTION FILM FESTIVAL, China 2019
POLISH INTERNATIONAL FILM FESTIVAL, Waarszaw 2019
HOLY WOOD SERBIAN INTERNATIONAL FILM FESTIVAL 2020
TiSSF THESS SHORTS, Thessaloniki 2021
HIIFF, Bologna 2021
INDIAN INTERNATIONAL SHORT FILM FESTIVAL "CINEMASCOPE AWARDS 2021", Kolkata
BIZARRYA SHORT FILM FESTIVAL, Porto 2022
METROPOLIS FILM FESTIVAL, Milano 2022
NEW AGE CINEMA & SCRIPTS, Mumbai 2022
BIZARRYA SHORT FILM FESTIVAL, Porto 2022
2nd KERALA SHORT FILM FESTIVAL, India 2022
RIBALTA FILM FESTIVAL, Italy 2022
APHRODITE FILM AWARDS, New York 2022
AMSTERDAM INTERNATIONAL FILM FESTIVAL, 2022
POSTALES A LUMIERE - Itinerant Exhibition of Contemporary Cinema, Venezuela 2022
MOSFILMFEST, Moscow 2022
HIMACHAL SHORT FILM FESTIVAL, India 2022
HABITAR EL CINE - CARACAS INTERNATIONAL CONTEMPORARY FILM FESTIVAL 2022
WEST BENGAL SHORT FILM FESTIVAL, Kolkata, India 2022
INTERFACE VIDEO ART FESTIVAL, Zagreb, Croatia 2022
LIBER FILMS INTERNATIONAL FF, Athens, Greece 2023
THE CORNER SEATS INTERNATIONAL FILM FESTIVAL,. Chennai, India 2023
HONIROS SHORT FILM FESTIVAL, Vienna, Austria 2023
SOFIA INTERNATIONAL FILM FESTIVAL, BULGARIA 2023
GOLDEN LAURELS INTERNATIONAL FILM FESTIVAL, Athens, 2023
KUTAISI INTERNATIONAL SHORT FILM FESTIVAL, Georgia, 20-25 October 2023
OTHER SCREENINGS:
LA GALERIE PHILOSOPHIQUE, Grandson (Switzerland), Film and Photography exhibition (12 December 2021/12 February 2022)
CREDITS
Directed by CESARE BEDOGNE’
Storyline by CESARE BEDOGNE’
With MARIA FREPOLI
Photography and Editing by CESARE BEDOGNE’
Music by ARGHISTY (Armenian Duduk)
Running time: 29.10 minutes
Filmed on the island of Lesvos (Greece) in the period January-August 2018.
Editing completed in September 2018.
A REVIEW BY KIRK FERNWOOD, on occasion of the Illambra Experimental Film Festival, Berlin
"First, the Recap:
Tides and tempests. Flow and flight. There is a symbiotic relationship when it comes to the always precarious nature of life and death. We strive, landbound and finite in existence, to ascertain that which we do not understand, a meaning behind the reality of breath and being, while also allowing our minds to fly high above the clouds, a dream, a hope, a longing of what it must feel like to glide unimpeded by the force of gravity, unfettered from the mortal coil as we ascend into what lies beyond. There is such notion, in some form, when seeing the lifegiving and life-taking power of the ocean, the teeming abundance of creatures which inhabit it underneath its roiling surface, but also the stark actuality of bones on the beach, remnants of what once was alive and vibrant, fading to dust. It is indeed the cycle of everything, ultimately kissed by eternity’s wings and waves.
Next, my Mind:
There’s a poetic sense of what it is to ponder the grand and oft explored concepts of life and death that are discovered within the varied, fluctuating nuances, imagery, depth of insight, reasoning, and overall visual and aural resonance found through this 29-minute short film from director Cesare Bedogne that screened at the 2nd Annual Berlin Illambra Experimental Film Festival housed at Salon AM Moritzplatz and hosted by Illambra. Now realizing this is a third film to specifically hone in on water as a central aspect to present its intended narrative, the project utilizes the ebbs and flows of the ocean as a metaphorical and literal element that brings both aforementioned core ideas to the bear, with accompanying images of things associated with the sea that are now dead on the beach, wasting away into nothing, as well as equating figurative “death” through images of a bare woman on the beach, like a creature washed ashore, likewise slowly fading away.
It’s human frailty, our own nakedness in view of the scope of eternity, a statement about mortality which comes to all living things, yet really only opens the door into forever, the spirit and/or soul taking flight, no longer tied to the Earth. It’s all a balancing act, like the film’s title suggests, and even quite accurately depicts a tightrope walker trying to maintain equilibrium, as otherwise it is to fall and transition into the great vast unknown beyond this life, to fly free, to soar, with this notion another of the film’s primary thematic explorations being presented. It’s that undeniable interest in flight that goes hand in hand with passing away, rising to a new place, no longer encumbered by the world and its cares. The use of sound is highly effective through the film as well, with sea gull cried, dolphin clicks and calls, sea lion croaks, wind-swept seascapes, rainfall, and streaming water with the additional use of a highly atmospheric music score, all aiding in creating the intended mood and tone of the film.
Certain images and sounds are purposefully repeated, perhaps to symbolize how everything comes full circle, back to itself, beginning anew and engaging in the same, already experienced patterns as the life before it had. We’ve heard that time is a fire in which we burn, and even that facet is subtly explored here as well. It’s all a virtually mystical, transcendent delivery, a surrealistic, philosophical study of life and death, and the fact it was a film that is based on a series of dreams, longings, nightmares, and improvisations by both Bedogne and his lead acrobat Maria Frepoli, it only adds that further air of both wonder and unease the film engenders for the viewer. As with so many of the efforts presented at BIEFF, it is primarily shot in black and white with some quick instances of color, which really does seem to work well for films like this, given the already obscure and unconventional nature of their aspirations to grab the viewer’s attention and jar the brain into a totally different realm of thinking.
In total, “The Last Step of An Acrobat” assuredly has that experimental vibe down to a “T” with its existential attitude and potent imagery that successfully manages to illustrate that while it might be a reminder of our impermanence on this current place we call home, it really is only the beginning, with a new journey waiting to unfold in time, taking flight to a new place of realization and wisdom, a better place to be what we all long to be–liberated and alive in heart, mind, and soul, even after the body gives out".
A review (in Italian) written on occasion of the Sipontum Arthouse International Film Festival:
https://ordetv.blogspot.com/2022/05/focus-tra-sogno-e-poesia-il-cinema-di.html
Here is a selection of digital stills from the film, printed in 53x28,5 cm size (A2) on archival baryta paper:
"We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown".
(T.S.Eliot, The Love Song of J. Alfred Prufrock)
This film appeared to us, as it unfolded almost by itself, day after day while shooting, as a mythical fairy-tale about dead sea creatures and the desire to fly - Death and Flight, that cannot exist without one another.
Like a dream, it is based on a series of interconnected visions, longings and forebodings that could not possibly be reduced to a unity of meaning. As life itself, or as the sea which is always changing and yet remains the same, unable to betray its mystery.
More like a visual poem than a narrative film, it is the story of an Equilibrist suspended on the slack rope of existence, the thin and always changeable borderland joining all opposites, Sky and Earth, Life and Death, Light and Shadow, Elsewhere and Nowhere.
This film is also about transformation and loss of identity, about the desire to become someone else, or even something else – the screech of a seagull, bleaching bones, a broken dolphin’s mouth, dissolving into deep eternity – a meditation on melancholy and on the frailty of existence, permeated by the secret whispering of all things shipwrecked and lost.
In my beginning is my end, in my end is my beginning.
Country: Italy, Greece
Runtime: 29 mins
Genre: Documentary / Experimental /Avant-Garde/ Visual Poetry
TRAILER
AWARDS
BEST FILM, AMII WorkFest 2019 (Vilnius, Lithuania)
BEST EXPERIMENTAL SHORT, Festival de Largos y Cortos, Santiago del Chile
SPECIAL MENTION OF THE JURY, NEW RENAISSANCE FILM FESTIVAL AMSTERDAM
BEST EXPERIMENTAL FILM, 14th season CULT CRITIC MOVIE AWARDS (Calcutta, India)
BEST EDITING, BEST CINEMATOGRAPHER, Roma Prisma Film Awards, 2018
HONORABLE MENTION FOR EXPERIMENTAL CINEMA, 3rd International Short Film Festival Il Varco (Pescara, Italy)
BEST EXPERIMENTAL SHORT, Indies Movies Spark Film Festival ( Utrecht, 2021)
BEST EXPERIMENTAL/ART FILM, BEST LEADING ACTRESS IN AN EXPERIMENTAL FILM (awarded to Maria Frepoli), BEST DIRECTOR OF AN EXPERIMENTAL FILM, BEST EDITING IN AN EXPERIMENTAL FILM, BEST CINEMATOGRAPHY IN AN EXPERIMENTAL FILM, Pure Magic Film Festival Amsterdam, 2021
BEST SHORT EXPERIMENTAL, Metropolis Film Festival, Milano 2022
BEST ART DIRECTION, BEST DIRECTOR OF PHOTOGRAPHY, New Age Cinema & Scripts, Bombay (India)
HONORABLE MENTION, The Last Howl Film Festival, London (UK)
BEST EXPERIMENTAL FILM, Tagore. International Film Festival 2022 (Bolpur, India)
BEST EXPERIMENTAL FILM, Berlin Indie Film Festival (11/2022)
HONORABLE MENTION OF THE JURY, Emerald Peacock Film Festival, Sint Petersburg (Russia) 2022
MOVIE CRITIC AWARD, Sipontum Arthouse Film Festival 2022 (Manfredonia, Italy)
BEST EXPERIMENTAL FILM, Berlin Film Awards 2022
BEST EXPERIMENTAL FILM, Luis Bunuel Memorial Awards, Calcutta, India 2022
BEST EXPERIMENTAL FILM, ARROW FILM FESTIVAL, Aniche, Haut de France 2023
OFFICIAL SELECTIONS:
"L'EUROPE AUTOUR DE L'EUROPE" FILM FESTIVAL, Paris 2019
5TH CIUDAD DE MEXICO INTERNATIONAL FILM FESTIVAL 2019
SCANDINAVIAN INTERNATIONAL FILM FESTIVAL, Helsinki 2019
VI CINEMISTICA FILM FESTIVAL, Granada 2019
ILLAMBRA EXPERIMENTAL FILM FESTIVAL, Berlin 2019
LES RIMBAUD DU CINEMA FILM FESTIVAL, Charleville 2019
EUROPEAN CINEMATOGRAPHY AWARDS, Amsterdam 2019
VASTLAB EXPERIMENTAL FILM FESTIVAL, Los Angeles 2019
PUNE SHORT FILM FESTIVAL, India 2019
ESTO ES PARA ESTO FILM FESTIVAL, Mexico 2019
MOSCOW SHORTS IFF, 2019
NEW WAVE MOTION FILM FESTIVAL, China 2019
POLISH INTERNATIONAL FILM FESTIVAL, Waarszaw 2019
HOLY WOOD SERBIAN INTERNATIONAL FILM FESTIVAL 2020
TiSSF THESS SHORTS, Thessaloniki 2021
HIIFF, Bologna 2021
INDIAN INTERNATIONAL SHORT FILM FESTIVAL "CINEMASCOPE AWARDS 2021", Kolkata
BIZARRYA SHORT FILM FESTIVAL, Porto 2022
METROPOLIS FILM FESTIVAL, Milano 2022
NEW AGE CINEMA & SCRIPTS, Mumbai 2022
BIZARRYA SHORT FILM FESTIVAL, Porto 2022
2nd KERALA SHORT FILM FESTIVAL, India 2022
RIBALTA FILM FESTIVAL, Italy 2022
APHRODITE FILM AWARDS, New York 2022
AMSTERDAM INTERNATIONAL FILM FESTIVAL, 2022
POSTALES A LUMIERE - Itinerant Exhibition of Contemporary Cinema, Venezuela 2022
MOSFILMFEST, Moscow 2022
HIMACHAL SHORT FILM FESTIVAL, India 2022
HABITAR EL CINE - CARACAS INTERNATIONAL CONTEMPORARY FILM FESTIVAL 2022
WEST BENGAL SHORT FILM FESTIVAL, Kolkata, India 2022
INTERFACE VIDEO ART FESTIVAL, Zagreb, Croatia 2022
LIBER FILMS INTERNATIONAL FF, Athens, Greece 2023
THE CORNER SEATS INTERNATIONAL FILM FESTIVAL,. Chennai, India 2023
HONIROS SHORT FILM FESTIVAL, Vienna, Austria 2023
SOFIA INTERNATIONAL FILM FESTIVAL, BULGARIA 2023
GOLDEN LAURELS INTERNATIONAL FILM FESTIVAL, Athens, 2023
KUTAISI INTERNATIONAL SHORT FILM FESTIVAL, Georgia, 20-25 October 2023
OTHER SCREENINGS:
LA GALERIE PHILOSOPHIQUE, Grandson (Switzerland), Film and Photography exhibition (12 December 2021/12 February 2022)
CREDITS
Directed by CESARE BEDOGNE’
Storyline by CESARE BEDOGNE’
With MARIA FREPOLI
Photography and Editing by CESARE BEDOGNE’
Music by ARGHISTY (Armenian Duduk)
Running time: 29.10 minutes
Filmed on the island of Lesvos (Greece) in the period January-August 2018.
Editing completed in September 2018.
A REVIEW BY KIRK FERNWOOD, on occasion of the Illambra Experimental Film Festival, Berlin
"First, the Recap:
Tides and tempests. Flow and flight. There is a symbiotic relationship when it comes to the always precarious nature of life and death. We strive, landbound and finite in existence, to ascertain that which we do not understand, a meaning behind the reality of breath and being, while also allowing our minds to fly high above the clouds, a dream, a hope, a longing of what it must feel like to glide unimpeded by the force of gravity, unfettered from the mortal coil as we ascend into what lies beyond. There is such notion, in some form, when seeing the lifegiving and life-taking power of the ocean, the teeming abundance of creatures which inhabit it underneath its roiling surface, but also the stark actuality of bones on the beach, remnants of what once was alive and vibrant, fading to dust. It is indeed the cycle of everything, ultimately kissed by eternity’s wings and waves.
Next, my Mind:
There’s a poetic sense of what it is to ponder the grand and oft explored concepts of life and death that are discovered within the varied, fluctuating nuances, imagery, depth of insight, reasoning, and overall visual and aural resonance found through this 29-minute short film from director Cesare Bedogne that screened at the 2nd Annual Berlin Illambra Experimental Film Festival housed at Salon AM Moritzplatz and hosted by Illambra. Now realizing this is a third film to specifically hone in on water as a central aspect to present its intended narrative, the project utilizes the ebbs and flows of the ocean as a metaphorical and literal element that brings both aforementioned core ideas to the bear, with accompanying images of things associated with the sea that are now dead on the beach, wasting away into nothing, as well as equating figurative “death” through images of a bare woman on the beach, like a creature washed ashore, likewise slowly fading away.
It’s human frailty, our own nakedness in view of the scope of eternity, a statement about mortality which comes to all living things, yet really only opens the door into forever, the spirit and/or soul taking flight, no longer tied to the Earth. It’s all a balancing act, like the film’s title suggests, and even quite accurately depicts a tightrope walker trying to maintain equilibrium, as otherwise it is to fall and transition into the great vast unknown beyond this life, to fly free, to soar, with this notion another of the film’s primary thematic explorations being presented. It’s that undeniable interest in flight that goes hand in hand with passing away, rising to a new place, no longer encumbered by the world and its cares. The use of sound is highly effective through the film as well, with sea gull cried, dolphin clicks and calls, sea lion croaks, wind-swept seascapes, rainfall, and streaming water with the additional use of a highly atmospheric music score, all aiding in creating the intended mood and tone of the film.
Certain images and sounds are purposefully repeated, perhaps to symbolize how everything comes full circle, back to itself, beginning anew and engaging in the same, already experienced patterns as the life before it had. We’ve heard that time is a fire in which we burn, and even that facet is subtly explored here as well. It’s all a virtually mystical, transcendent delivery, a surrealistic, philosophical study of life and death, and the fact it was a film that is based on a series of dreams, longings, nightmares, and improvisations by both Bedogne and his lead acrobat Maria Frepoli, it only adds that further air of both wonder and unease the film engenders for the viewer. As with so many of the efforts presented at BIEFF, it is primarily shot in black and white with some quick instances of color, which really does seem to work well for films like this, given the already obscure and unconventional nature of their aspirations to grab the viewer’s attention and jar the brain into a totally different realm of thinking.
In total, “The Last Step of An Acrobat” assuredly has that experimental vibe down to a “T” with its existential attitude and potent imagery that successfully manages to illustrate that while it might be a reminder of our impermanence on this current place we call home, it really is only the beginning, with a new journey waiting to unfold in time, taking flight to a new place of realization and wisdom, a better place to be what we all long to be–liberated and alive in heart, mind, and soul, even after the body gives out".
A review (in Italian) written on occasion of the Sipontum Arthouse International Film Festival:
https://ordetv.blogspot.com/2022/05/focus-tra-sogno-e-poesia-il-cinema-di.html
Here is a selection of digital stills from the film, printed in 53x28,5 cm size (A2) on archival baryta paper:
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